… and vice versa
by Peg Kay
The contributions of science and technology to the art of painting have been incalculable. They can be seen in the composition of the stuff of painting — the paints, the papers, the canvasses — the preservation of paintings, and even where painting takes place, since it was the development of the tube that allowed painters to port their paints into the open air — a shift of venue that provided the impetus for the Impressionist movement.
Not content with simply accepting these munificent contributions, the painters have also seized upon science and technology as subjects for their works. We’ve assembled about two dozen of these works to show here. They have been divided into seven categories. To those of you who came to us by way of a browser search for a particular artist: you’ll find much else of interest here.
PORTRAITS
Ilya Repin: Portrait of Mendeleyev
Albert Edelfelt: Louis Pasteur
David Martin: Benjamin Franklin
William Blake: Sir Isaac Newton [a truly ditzy portrait]
Max Ernst: Euclid [ditzier yet}
COMICS
Maxfield Parrish: Wond’rous Wise Man
Unknown: The Scientific Simpleton
DOING SCIENCE
Gerard Dou: Astronomer by Candlelight
Henry Stacy Marks: The Great Auk’s Egg
Joseph Wright: Experiment with the Air Pump
Randy Dudley: Verifying Dissonant Statistics
Rembrandt: The Anatomy Lesson of Dr. Nicolaes Tulp
Thomas Eakins: The Gross Clinic
THE MODERNS LOOK AT SCIENCE
Roy Lichtenstein: Peace through Chemistry
Walter Valentini: Lo Spazio, Il Tempo
SCIENCE AS MAGIC
Adraen Van Ostade: An Alchemist
AND THE GUY WHO DID IT ALL
Leonardo Da Vinci: Drawing of a woman’s torso